Code One Entertainment

Artists


Dead Letter Chorus

Dead Letter Chorus released their debut album “The August Magnificent” in October last year. Entirely self-produced by members of the band and recorded in a studio they helped to build, design and decorate to convert from an unused basement to a creative and sonically pleasing environment, the album is an intensely personal insight into a band at work. Mixed by the legendary Tim Whitten (The Panics, Youth Group, theredsunband) in Sydney's Big Jesus Burger and Sony studio's and mastered by Don Bartley @ Benchmark Mastering.“The August Magnificent” was released to rave reviews. The Sydney Morning Herald gave it 4.5 stars, Rave and Time Off magazines each gave it 4 stars a piece but Rip It Up said it best: “the type of album you don’t just need to hear... you need to inhabit

Agent:Geoff Trio | gt@codeone.net.au

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Jason Collett (Broken Social Scene)

Rat A Tat Tat is Broken Social Scene alumnus Jason Collett’s follow up to his widely praised 2008 release, Here’s To Being Here. The album attributes to, and trumpets the energy, of an exciting and burgeoning creative arts scene Toronto, in which Jason Collett – highly regarded as a prolific songwriter and performer – finds himself at the very centre. Rat A Tat Tat shows Collett using the Canadian backdrop to further explore his roots as a national storyteller and shows his knack for articulating the subtleties of human interactions and experiences. Rat A Tat Tat is a remarkable and honest example of a storyteller documenting and soundtracking his experiences and surroundings with distinct and precise ability.

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dig

Directions In Groove (dig) were a popular Australianacid jazz band originally from the suburb of Redfern in Sydney, who produced several distinctive acid-jazz / groove / funk albums in the 1990s.

DIG released several albums on the EMI Australia and Polygram labels, with "Speakeasy" and "Deeper" achieving double platinum status. dig have also toured the world, playing alongside artists such Herbie Hancock and Bootsy Collins.

The original dig lineup featured keyboardist and vocalist Scott Saunders, saxophonist Rick Robertson, guitarist Tim Rollinson, bassist Alex Hewetson and drummer Terepai Richmond. The band's most popular tracks include "The Favourite", "Reinvent Yourself", and "Hip Replacement". Sam Dixon joined on bass for much of the bands touring.

Rolling Stone magazine once stated: "dig are the future of Australian music. They know what to do and how to do it."

Agent:Geoff Trio | gt@codeone.net.au

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Jeff Martin (Canada)

Jeff Martin was raised in Windsor, Ontario and started playing the guitar at age 8. He formed his first band at age 11 and decided, then and there, that this is what he wanted to do with his life. In high school he was challenged by an older student to learn a blues- inspired Led Zeppelin song which inspired his father, a blues fan, who turned him on to the blues standards.

Jeff caught on quickly and could frequently be found jamming with professional bands from the Windsor Detroit area while still in his teens. During his teens he was also given a copy of The Beatles' Sergeant Pepper's album and his imagination was captured by the instrumentation of Within You Without You. Jeff developed a fascination with eastern tunings and instruments, a preoccupation he later indulged with great success as a member of the seminal Canadian band, The Tea Party.

Agent:Geoff Trio | gt@codeone.net.au

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Joel Plaskett (Canada)

JOEL PLASKETT. The Canadian rocker last toured our shores with his band The Emergency back in April as special guests of Augie March, which included rollicking sets at Sydney’s Great Escape Festival. Since that last visit, Joel picked up the coveted Songwriter of the Year Award (2nd year running), along with Single of the Year (for # 1 hit Nowhere With You) and DVD of the Year (Make A Little Noise) at the Canadian East Coast Music Awards and was shortlisted for the prestigious Polaris Prize (Canadian equivalent to Mercury Music Prize). At the recent Nova Scotia Music Awards, Plaskett was on fire - walking away with a whopping SIX awards. His latest album, Ashtray Rock, has received strong reviews and airplay throughout Canada, and his new CD Three looks set to be released in Australia in 2009. Expect to be awestruck when Joel Plaskett returns to Australia.

Agent: Geoff Trio gt@codeone.net.au

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Zeus

Zeus was born from the musical friendship of Mike O'Brien and Carlin Nicholson. The two Toronto-based musicians have been living on the road for the past few years as the backing band for singer/songwriter and Broken Social Scene member Jason Collett. With a lineup rounded out by longtime friends and musical compatriots Rob Drake and Neil Quin, Zeus draws upon classic influences to craft timeless songs, complete with fuzzed out guitars and shimmering three-part harmonies.

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The Trews (Canada)

With four albums in seven years, two of them gold; 10 Top-10 singles, two of them No.1 and one gold; multiple awards, for best single, video and live group; and close to 800 live shows under its belt, including support slots for the Rolling Stones, Robert Plant, Guns N’ Roses, Nickelback and KISS, the Canadian rock band never rests.

The Trews — comprised of lead vocalist Colin MacDonald; his brother, guitarist John-Angus MacDonald; cousin, drummer Sean Dalton, and long-time friend, bassist Jack Syperek — keep pushing themselves in the studio and onstage, always ready to give an intuitive and intense rock ‘n’ roll show of songs that have killer hooks, such as “Hold Me In Your Arms” the lead single from their Australian debut album, Friends And Total Strangers (Bumstead/Code One).

The song achieved “Gold Digital Sales” status in Canada with 20,000+ downloads while the video clip rose to No.1 in Canada on national television station MuchMusic. The U.S. Indie Music Awards declared “Hold Me In Your Arms” Best Hard Rock Song.

The bands strong musicianship has been built over years of working together with the original lineup. They formed in 1997 in Antigonish, Nova Scotia, Canada when the four were still in high school, and released a self-titled EP.

Perennially recognized for their creative output, The Trews are 5x Canadian JUNO Award nominees, were nominated for Best New Band by SPIN.com and Best New Band by Classic Rock magazine in the UK.

Australian Agent:

Tony Grace | tonyg@theharbouragency.com

Management Australia:

Geoff Trio | gt@codeone.net.au

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Matthew Barber (Canada)

Ghost Notes is the title of a stunning new record by acclaimed Canadian singer-songwriter Matthew Barber, his first since 2005's Sweet Nothing. Produced by Barber and engineered by Ken Friesen, Ghost Notes departs from Barber's most recent efforts in that it emphasizes the moodier, more stripped-down side of his songwriting. Recorded in six gray November days at the famed Bathouse studio near Kingston, Ontario, Ghost Notes is the culmination of almost two years of writing and demoing, and stands as Barber's most mature record to date. It will be released on the Code One label in Australia on September 20th, 2008. Accordingly, Matthew will be teaming up with his sister Jill Barber for the much anticipated SIBLING REVELRY TOUR across Australia. Complete tour dates will be announced shortly.

Agent: Geoff Triogt@codeone.net.au

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Final Flash

The past year has been a whirlwind for newcomers Final Flash. Based in Montreal, this emerging quintet has rapidly made waves with their unique brand of psychedelic folk-rock. Final Flash rapidly caught the attention of fans, local media and programmers, landing shows at CMW, Pop Montreal, the Whistler Canadian Music Showcase, as well as Transmission.

The band’s Fall 2008 performance at Canadian Music Café, for the Toronto International Film Festival, was so well received they landed an international publishing deal with Los Angeles based North Star Media placing their music in popular television shows such as “vampire diaries”.

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Jill Barber (Canada)

Award winning Canadian chanteuse, Jill Barber picks up the torch where the golden age of music left off. Her latest album, Chances (released through Code One/MGM on 2 October 2009) steps away from her self proclaimed, ‘Smoky folkie’ past as Jill delivers an album of ten original, fully orchestrated songs that strongly evoke – and could themselves become - classics. From the moment you hear her sultry voice on the opening title track, you are transported to another time and place. ‘The best songs ever written are the ones that somehow transcend time and fashion’ says Jill. ‘They may be old, but they haven’t aged, it is that timeless quality that I aspire to in my own songwriting’.

Agent: Geoff Trio gt@codeone.net.au

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Folk Uke (USA)

The daughters of two great American songwriters and musicians are touring Australia throughout January for the first time! Folk Uke is the musical collaboration of Cathy Guthrie (daughter of Arlo Guthrie and granddaughter of Woody Guthrie) and Amy Nelson (daughter of Willie Nelson).

Nelson and Guthrie combine beautiful harmonies with a traditional folk sound and throw in edgy, but humorous lyrics that leave the listener almost in disbelief. Inspired by many of the agreeable greats of the Folk, Country and Americana genres, they have crafted a sincere, yet witty song writing style which has won them fans in critics and musicians alike.

Agent:Geoff Trio | gt@codeone.net.au

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Dan Mangan (Canada)

“This folk singer may only be 23, but he sings with the soul of Woody Guthrie – if Woody Guthrie had listened to Godspeed (You Black Emperor)” - NME Mangan weaves unique lyrical phrases that you feel you must always have known, He delivers them with his signature graveled vocals and understated humour. He doesn’t lean on ironic instruments or gimmicks. Somehow, it all just works. Dan stands up and people get quiet. They listen. More and more people all the time.

Agent:Geoff Trio | gt@codeone.net.au

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Two Hours Traffic

Territory is the follow up to the Charlottetown band’s Polaris Prize nominated and internationally acclaimed album, "Little Jabs". Once again produced by Joel Plaskett, Territory builds on the promise of Little Jabs as the band continues to write and record sunny pop gems for the heart and head.

Territory, however also finds Two Hours Traffic discovering the shadows at the side of the road. Right from the get go this becomes apparent as the gold into lead alchemy of the rousing opener Noisemaker kicks in and by the time the title track tells its tale of disillusionment and betrayal you know you are settling in for a drive on the darker side. Indeed, songs such as Wicked Side, Weightless One, Drop Alcohol, and Lost Boys all explore the approaching dusk but just like the more hopeful tracks on the album (Happiness Burns, Sing A Little Hymn) they all lock into the close your eyes, sing along choruses and instantly memorable lyrics that have put Two Hours Traffic on the melodic map.

Initially conceived as a two-piece, lead singer Liam Corcoran and guitarist Alec O'Hanley recruited bassist Andrew MacDonald and drummer Derek Ellis while attending university in their hometown of Charlottetown, Prince Edward Island. After releasing their "April Storm" EP in 2003 a friendship was struck up with Halifax hero Joel Plaskett who offered to produce the band's first proper album. They've been working together ever since.

While their eponymous debut and their follow up "Isolator" EP were received warmly by critics, it wasn't until 2007's breakthrough "Little Jabs" that the world really took notice. Appearing on dozens of year-end best of lists, Little Jabs also garnered an ECMA for Best Pop Recording and was a finalist for the coveted Polaris Music Prize. Add to this, three coast to coast tours, appearances at festivals such as Hillside, CMJ and SXSW and shows across the Atlantic and you have one of the most visible and successful Canadian independent acts of the last two years.

The road is indeed calling once again and with the strength of song on their side, Two Hours Traffic will continue to drive through both the brightening dawn and the darkening dusk. Bringing their Territory to yours.

Two Hours Traffic had over 20 song placements from the previous release, Little Jabs (2007) in US network television and feature films including; One Tree Hill, The Ghost Whisperer, The OC, The Unit, Gossip Girl, Smallville, Without A Trace, Castle, The Best Years, Degrassi, The Secret Life of The American Teen, Cavemen, What About Brian, In The Land Of Women and MTV US “Camp’d Out” Series (theme song).

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The Armarda (Canada / Ireland / Aust)

“Weave your way through the wind swept crags of the Sheeps Head peninsula in West Cork, pause to reflect on the wondrous beauty, and listen. Listen closely and you will hear it. A storm is coming, menacing and pulsating with intent to sweep away all in its path. In its eye there is a force, a raiding party, lustful, brooding and terrifying when it strikes. It carries not sword, nor musket, but thunder is its voice and lightning is its gaze. It will lay waste those who look upon it, and yea, will they forever speak of the day The Armada landed upon their shore.”

Former Tea Party front man Jeff Martin and legendary percussionist Wayne Sheehy are on a mission. With their newly formed rock'n'roll powerhouse, The Armada, the dynamic duo are set to launch an attack on the aural landscape, mixing the captured audio slaves of numerous campaigns into a set of wholly new material for release.

Agent:Geoff Trio | gt@codeone.net.au

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The Retreat

Lead by enigmatic singer-songwriter Ross James Tipper, THE RETREAT are four friends from Sydney who will take you to a place of utter bliss with their brand of “it’s a little bit pop, a little bit country, and all beautiful!” music. The perfect soundtrack to a sunny winter afternoon, drink in hand, good friends by your side.

After bursting onto Sydney’s live scene in 2008, THE RETREAT have continued to captivate audiences with their rollicking live show, and have had the privilege of playing alongside You Am I, The Beautiful Girls, Hoodoo Gurus, Wagons, Belles Will Ring, and esteemed international acts Gregory Page (USA), Dan Mangan (CAN), Kris Roe of The Ataris (USA), and Kenny Vasoli of The Starting Line (USA).

2009 was a big year for the band, and with the impending release of their debut, self-titled EP, 2010 will mean exciting times for fans and critics alike.

Agent:Geoff Trio | gt@codeone.net.au

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Steve Poltz (USA)

Agent:Geoff Trio | gt@codeone.net.au

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Gregory Page (USA)

Set to warm the cockles of your heart this Autumn is San Diego’s GREGORY PAGE. The critically acclaimed singer/songwriter has toured with the likes of Bob Dylan, Chris Issak, Jason Mraz and more… It was during Gregory’s Australian tour with Jason Mraz in 2008 when he found himself penning songs in a 200 year old Cemetery in St Kilda, resulting in the new album “Bird In A Cage”.

Upon returning home he teamed up with long time friend Jeff Berkley (Kerrville New Folk Songwriter winner) to record this unique collection of songs. It was carefully mastered by Gavin Lurssen ('Oh Brother Where Art Thou' soundtrack). Containing 12 new original recordings, “Bird In A Cage” features the talents of Jim Soldi on Electric Guitar (Johnny Cash), Dennis Caplinger on Banjo & Dobro (Eric Clapton), Rich Weiss on Pedal Steel & Co-Producer (Jim Lauderdale), AJ Croce on piano, Ray Suen on Ehru, Mandolin & Viola (The Killers), Erik Kertes on Upright Bass (Michael Bublé), Erin Breene (Principal Cellist of the Juilliard Orchestra), Robert Schumitzty on Violin (Hollywood Bowl Orchestra), Cindy Wasserman singing harmony (John Doe), Gabe Feenberg on Accordion (Old Man Hands) & Brain Cantrell on Drums & Cymbles (Tim Blum). Ending the album is the exclusive Australian only bonus live track “Ocean Of Memories”, featuring Gregory & Jason Mraz performing together live at The Tivoli in Brisbane.

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King Tide

ROOTS Pop Reggae is King Tide's third CD and its most accomplished blend of rock steady beats, pop, soul, electronica and ska. King Tide is the final mutation of the heady acid rock of the early 1990s when D.I.G. (Directions in Groove), Swoop, Caligula, Def X and Skunkhour defied the prevailing grunge and Oz rock four-on-the-floor template to venture forth with bold, individualistic blends of infectious melody, electronica and funk-soul. It ruled Sydney inner-city dance clubs for three or four years, then subsided. Main men are MC-singer Tony Hughes, from late 90s funk-dance outfit Bellydance, and toaster Paul Snatch, previously with hip-hop outfit Large Rabbit and pop band Radio Freedom. The two vocalists enjoy the backing of a nine-piece ensemble that pours peerless musicianship into sublime grooves. Players include gun drummer Terepai Richmond, guitarist Ross Fotheringham, a four-piece brass section and keyboardist Robbie Woolf, who steps up to the microphone for one of the album's standout tracks, the high, sweet soul lament Anyone Could Tell. It evokes the glistening sorrow of Smokey Robinson's falsetto. Mostly, though, Roots Pop Reggae is infectious melody welded to sinuous rock-steady dance rhythms. Atomised is Hughes's melodic account of how the soul of music is passed through generations. Keep on Lovin' is traditional roots reggae embodying the optimistic message that love can yet save the world. Sun Machine uses programmed beats as a platform for an adventurous simulation of the stimulation of summer days. Chemical is a Paul Snatch rave-up that looks for and finds reggae's DNA in disco nursery rhymes. Beggars Waltz is soul contemporised with electronic brass flourishes. Rockers Roots takes Hughes back to his childhood in Britain, awed and floored by Millie Small's pop-reggae smash My Boy Lollipop. From Reg Mombassa's vivid cover art to the frolicking music inside, Roots Pop Reggae is a rarity: dance music that leaves messages in one's ears, one being to check the gig guide to see when King Tide is next playing live.Anthony O'Grady - Weekend Australian**** out of 5

Agent: Steve Griffiths steve@codeone.net.au

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Hawksley Workman (Canada)

A musician of incredible velocity, Hawksley Workman is at the top of his game when he has the solitude and serenity to write and record his music in atomic bursts, focused into monastic postures, accessing grace and brilliance in fluid, sweeping motions. With his increasing rock triumphs, growing fan communities and formidable body mass, Workman has evolved from the slight, pin-striped oddball with a critically-acclaimed diamond voice, to the panoramic, guitar-punishing superstar with no performance limits.

Agent: Geoff Trio gt@codeone.net.au

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Hey Rosetta (Canada)

Riding on the waves of their acclaimed live show and 2007’s Plan Your Escape EP, Hey Rosetta! surges forward with Into Your Lungs (and around in your heart and on through your blood). Based in St. John’s, NL, the six-piece group is comprised of Tim Baker (vocals/piano/guitar), Adam Hogan (guitar), Josh Ward (bass), Phil Maloney (drums), Kinley Dowling (violin), and Romesh Thavanathan (cello). Recorded in the dead of winter in two East Coast harbour towns with producer and singer-songwriter Hawksley Workman, Into Your Lungs began with a beautiful naivety and confidence. An 'off the stage' feel and vigor reminiscent of the bands powerful live performances rooted the recording sessions and everything was bred from and expanded from there. Conceptually, the new record is a shift from Tim's earlier compositions often written in isolation within his bedroom, to a new depth and space that comes from experiencing life on the road as a touring band. The new record packs more grit while allowing the bands infectious energy and vulnerability to flow freely. Seeded by Tim after returning home to St. John’s in 2005, Hey Rosetta! quickly bloomed and grew from bars on George Street to showcases at Junofest, ECMAs, CMW and NXNE, along the way winning four MusicNL Awards and a couple ECMA nominations.

Agent: Steve Griffiths steve@codeone.net.au

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Elliott Brood (Canada)

Stalking shadows on the prairies with a compass and set of matches, shaking the mountains loose with howls and footstomps and, settled in meadows, while whispering tales under darkening skies, obsessed with history or historically obsessed, either way, Elliott BROOD have a penchant for stories they just can’t shake.

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Greta Gretler (USA)

GRETA GERTLER is a prolific singer-songwriter-pianist who in recent years has spent much time abroad performing, writing and recording.

Starting her career with exquisite 'chamber pop' of Peccadillo, which featured members of rock'n'roll string quartet Fourplay, she released one album and then followed her muse to New York.

Agent: Steve Griffiths steve@codeone.net.au

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Johnny G and the G Types

Johnny G & The E Types are generally regarded as Sydney's finest raw soul revue. Taking the gutsy sounds of 60's Memphis as their signpost, they capture the sheer energy and ground shaking power of high energy soul. Performing the sounds of Otis Redding, Eddie Floyd, Sam & Dave, Al Green and Wilson Pickett, they extend the sounds into swampy funk, ska and regaae on occasions, whilst losing none of the sheer exhuberant dancebility of the sounds.

Available in full 8 piece glory or a tight and funky 5 piece, organ maestro Johnny G never fails to deliver and the band enjoy regular sell outs at venues all around NSW.

Agent: Geoff Trio gt@codeone.net.au

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Dave Graney and Clare Moore

Keepin' it unreal is our latest cd. We started out in the Moodists in 1978. We've been moving ever since. We were in Adelaide and then we moved to Melbourne. We went to London in 1983, following our pals, the Birthday Party and the Laughing Clowns and the GoBetweens and the Scientists and the Triffids.We put out about three albums and some eps and a lot of this was collected on the 2004 WMinc release " two fisted art". Clare and I then hooked up with some players and started Dave Graney and the Coral Snakes in London in 1987. (Playing my songs as well as tracks by Gram Parsons, Gene Clark and Tim Buckley...kind of alt country before there was that thing) We moved back to Australia in 1989 and planned to stop for a little while and head back to the Northern Hemisphere.

We started playing as Dave Graney and the White Buffaloes. Back and forth to the UK and Australia. Back to Dave Graney and the Coral Snakes. We had a top 10 /gold record moment/periodright in the middle of the grunge rock moshfest. We played softer and prettier than anyone. At rock festivals and on radio and tv. It was the music we'd always moved towards.We weren't scared or impressed by guitars and moaning. We were right into the drama of hip hop.People thought it was funny. Luckily we had a great guitar player and a few songs that had guitar on them that the radio station could play. We moved through the scene like summer lightning. Eight cds with the Coral Snakes and then we formed the Dave Graney Show. Then the Royal Dave Graney Show. Then Dave Graney and Clare Moore...featuring the lurid yellow mist. Seven cds since the Coral Snakes period. Clare Moore did her first solo album. We did a soundtrack for a hit feature film. And then we will be playing near you in 2007.Our music comes from a music life. Lifers. The sound comes out of a long dive into deep ,running waters over many years. Hip hop. hard core country, jazz, reggae. Classic rock? We were there when it happened and we still do our best to escape it now!We were into punk rock when it was making itself up.It really is heavy entertainment.

Agent: Steve Griffiths steve@codeone.net.au

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Stephen Cummings

Stephen Cummings first achieved success in Australia as lead singer with The Sports, a pop band that had a number of hits in the late 70's including the classic "Who Listens to the Radio?". Never completely comfortable with the rigours of touring with a band, it was not surprising for him to embark on a solo career after their demise.

His first solo offering, the album Senso charted impressively due to the top 5 success of the single "Gymnasium".

Whilst that album received considerable attention from the general public, his subsequent releases have not fared so well. With his third album, Lovetown, Cummings hit his creative stride - critical praise was showered on the album, and it is now revered as a classic amongst his fans and followers of the Australian music scene.

Now in the process of releasing album number 16 - the dramatic Space Travel, Stephen's record company - Liberation - are also re-releasing the two classic 80's solo albums Senso and Space Travel as a double CD set.

Agent: Steve Griffiths steve@codeone.net.au

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Sins

Sydney trio The Sins formed from the association that Steve and Kari formed when they toured to promote Steve's solo album - 'Stolen Goods' (Vitamin). The englishman and The swedish woman formed a very strong musical bond and when they started writing music together they enlisted the talents of the australian painter Mark Hetherington to play drums.

Performing with the kind of intensity that is like partaking in both an entrancing theatrical experience and the best kind of Smoky Film Noir. Combining an array of instrumentation from swinging organ, brushed jazzy drums to fuzzed out guitar underneath lush, silky harmonies, The Sins sound is a dark ghost-train ride through a maniacal thunderstorm. Tales of debauched late nights, Swedish schoolgirls drowning in remote frozen lakes and unrequited love stories lie within the tunes.

Agent: Steve Griffiths steve@codeone.net.au

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Wintersleep

"Miasmal Smoke + The Yellow Bellied Freaks" starts its marching build with echoing drums and an organ bleeding out a nervous buzz. Epic and lonely, it's the score for the flickering light of a glowing soul that closes the door to Wintersleep's third album, Welcome to the Night Sky. Like its final song, the album built up gradually over the past two years. From a mass of ghostly melodies, half-finished lyrics and nervesplicing drum beats, it has shaped into the band's finest collection to date. Following the release of their 2005 self-titled sophomore album, Wintersleep spent months on the road touring through Canada, America and Europe. Upon return to their native Halifax, the band enlisted the ear of veteran producer Tony Doogan (Mogwai, Belle & Sebastian and Super Furry Animals), and hid themselves in studio for April and May of 2007. It was during this time that the ten tracks of Welcome... grew into their final stunning form. Each song in its own way points to the fact that sometimes looking too hard reveals things best left unseen. But still, hope grows beneath these sable clouds and distant stars, and a light that looms beyond them all. Until then, welcome to the night sky...

Agent: Steve Griffiths steve@codeone.net.au

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The Australian Doors Show

In their 7 years together between ’89 and ’96, The Australian Doors Show was regarded as the finest tribute to The Doors in the world. Praised by contemporaries of The Doors and critics alike, the band played close to 1200 shows in 13 different countries, many of which were resounding sell outs. Never a look alike tribute, the band was renowned for raw performances that summoned the sound of The Doors live with eerie accuracy. Combined with brain blowing psychedelic lights, this is as close as anyone has ever been to the real thing. Now, 11 years after they decided to call it a day, The Australian Doors Show have decided to reform for very limited shows.

Agent: Geoff Trio gt@codeone.net.au

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